大理大学学报 ›› 2026, Vol. 11 ›› Issue (3): 70-.DOI: 10. 3969 / j. issn. 2096-2266. 2026. 03. 010

• 文化-艺术 • 上一篇    下一篇

长白山林区号子起源的人类学阐释
——以关内叹息音调的进化为个案的研究

刘海波
  

  1. 湖南理工学院音乐学院
  • 出版日期:2026-03-15 发布日期:2026-04-01
  • 作者简介:刘海波,讲师,博士,主要从事民族音乐学、音乐传播学研究。
  • 基金资助:
    湖南省哲学社会科学基金项目(20YBA129)

An Anthropological Interpretation of the Origin of Forest Work Songs in the Changbai Mountains: A Case
Study of the Evolution of Sighing Melodies from Inside the Pass

Liu Haibo
  

  1. School of Music, Hunan Institute of Science and Technology
  • Online:2026-03-15 Published:2026-04-01

摘要:

关内叹息音调是关内群众为纾解身心疲乏而发出的一段下滑的声音形式。这一声音形式随着关内破产农民逃荒而流
入长白山林区。在身体劳累和思乡煎熬的双重驱动下,关内破产农民在运木劳动中反复发出故地的叹息音调。随着劳动时间
的积累,这一叹息音调逐步异化,先后在拽绳拖木劳动中分化出乐音、节奏,在挂钩抬木劳动中分化出节拍、调式、乐句等诸多
音乐要素,最终形成了长白山林区号子《大掐子号》。以《大掐子号》为代表的长白山林区号子是一种承载着运木劳动者生命跃
动有意味的形式。它彰显了中华民族积极进取、顽强奋斗的精神,再现了中国人的生命张力,产生了独特的人性之美。

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Abstract:

The Guan Nei sighing melody is a descending vocal form produced by people in Guan Nei (the area inside the Shanhai
Pass) to relieve physical and mental fatigue. This vocal form was carried into the Changbai Mountain forest region by bankrupt farmers
fleeing famine from Guan Nei. Driven by both physical exhaustion and the torment of homesickness, these bankrupt farmers repeatedly
uttered the sighing melody from their homeland during timber-hauling labor. With the accumulation of labor hours, this sighing melody
gradually evolved and differentiated: it first developed musical tones and rhythm during rope-pulling and timber-dragging work, and
later differentiated elements such as meter, mode, and musical phrases during hooking and timber-lifting labor, ultimately developed
into the Changbai Mountain forest work song Da Qiazi Hao. Represented by Da Qiazi Hao, the Changbai Mountain forest work songs are
a meaningful form embodying the vital dynamics of the timber haulers' lives. They manifest the Chinese nation's spirit of striving for
progress and tenacious struggle, recreate the vitality of the Chinese people, and generate a unique beauty of humanity

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